M A R T I N   F O R E M A N

Playwright / Director


"utterly convincing portraits of love " Broadway World

"emotionally charged and thought-provoking theatre"
The Gay UK

"a masterclass on the art of the monologue" Beige

"words always deeply poetic" Views from the Gods

"four stars .. well acted and craftily staged"
britishtheatreguide.info

"four stars .. thoroughly enjoyable .. have you laughing"
All Edinburgh Theatre
Actor


"at times completely terrifying." The Stage

"physically vivid and playful rendition" britishtheatreguide.info

"I particularly liked ... Martin Foreman's Luka" playstosee.com

"welcome cameo ... suitably mysterious, baffling and comic" viewsfromthegods.co.uk

"compellingly wheezing, sepulchral version of Uncle Fester" All Edinburgh Theatre                        

2018 PREVIOUS DIRECTING PREVIOUS ACTING PLAYSCRIPTS DETAILS AND CONTACT

2018


 AUGUST 2018 WRITER AND DIRECTOR 


Casanova Dreaming

Casanova Dreaming
Volpone

Volpone - a new version


Courtesy of Arbery Productions I am bringing two Venetians - one fictional, one historical; one comic, one serious; a famous trickster and a famous lover - to life at the Edinburgh Fringe. My four-star adaptation of Ben Jonson's Volpone, first seen at the Fringe in 2017, is revived as a two-act play. My one-act drama, Casanova Dreaming, about Italy's greatest lover receives its premiere at the Fringe. Details on arberyproductions.co.uk.



 AUGUST 2018 FILM ACTOR AWARD 





I have received the August Bronze Award for Best Supporting Actor in a Short Film in the Queen Palm International Film Festival for Roy in Kevin Pickering's Close to the Bone.




 MAY 2018 STAGE ACTOR NO MORE 


The reviews in the header come from intermittent appearances on stage during the last six years. I have, however, become increasingly aware of my limitations as an actor in the theatre, where retakes are impossible and which requires intense, uninterrupted focus on a character and an ability to combine speech, expressions, gestures such that the audience is convinced that the character exists far beyond the scene and stage where they momentarily appear. I may be able to convey that in short sequences in a film but do not have the talent to do so night after night on the stage.


I have therefore decided to stop seeking roles on stage. Although I may still take on appearances in film, my creative focus is now on writing for and directing in the theatre.



 MARCH 2018 WRITER 





I am honoured that my play The Report has won the 2018 Pitlochry Festival Theatre Short Play Award and excited by the opportunity to collaborate on new work with dedicated actors in a theatre with a long history of repertory work. Many thanks to the judges.





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