M A R T I N   F O R E M A N

Playwright / Director

"utterly convincing portraits of love " Broadway World

"emotionally charged and thought-provoking theatre"
The Gay UK

"a masterclass on the art of the monologue" Beige

"words always deeply poetic" Views from the Gods

"four stars .. well acted and craftily staged"

"four stars .. thoroughly enjoyable .. have you laughing"
All Edinburgh Theatre

"at times completely terrifying." The Stage

"physically vivid and playful rendition" britishtheatreguide.info

"I particularly liked ... Martin Foreman's Luka" playstosee.com

"welcome cameo ... suitably mysterious, baffling and comic" viewsfromthegods.co.uk

"compellingly wheezing, sepulchral version of Uncle Fester" All Edinburgh Theatre                        

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Playwright / director / actor

Apart from embarrassing forays in youth and middle-age, my theatrical career began in 2011, with acting courses and roles in fringe theatre in London. Since 2014 I have been based in Edinburgh, where I have written and directed several plays for Arbery Productions. I have also appeared in short films and acted and directed for EGTG.

 2, 3, 5 - 10 AUGUST 2019 WRITER AND DIRECTOR 

This year sees the revival of my one-woman play, Sunset. First produced at the King's Head Theatre in London in 2013 with Carolyn Lyster, I have revised the text to bring it from the California where it was originally set, to the UK. I am honoured to have Maggie Macleod portray the grandmother at the end of a long day. Details on arberyproductions.co.uk.



Casanova Dreaming

Casanova Dreaming

Volpone - a new version

Courtesy of Arbery Productions I brought two Venetians - one fictional, one historical; one comic, one serious; a famous trickster and a famous lover - to life at the Edinburgh Fringe. My four-star adaptation of Ben Jonson's Volpone, first seen at the Fringe in 2017, was revived as a two-act play. My one-act drama, Casanova Dreaming, about Italy's greatest lover received its premiere at the Fringe. The public enjoyed both productions; some critics were less enthusiastic. Details on arberyproductions.co.uk.


I have received the August Bronze Award for Best Supporting Actor in a Short Film in the Queen Palm International Film Festival for Roy in Kevin Pickering's Close to the Bone.


The reviews in the header come from intermittent appearances on stage during the last six years. I have, however, become increasingly aware of my limitations as an actor in the theatre, where retakes are impossible and which requires intense, uninterrupted focus on a character and an ability to combine speech, expressions, gestures such that the audience is convinced that the character exists far beyond the scene and stage where they momentarily appear. I may be able to convey that in short sequences in a film but do not have the talent to do so night after night on the stage.

I have therefore decided to stop seeking roles on stage. Although I may still take on appearances in film, my creative focus is now on writing for and directing in the theatre.


I am honoured that my play The Report has won the 2018 Pitlochry Festival Theatre Short Play Award and excited by the opportunity to collaborate on new work with dedicated actors in a theatre with a long history of repertory work. Many thanks to the judges.

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